Motionographer® Historical past Is What We Do Now

Give us a short introduction to your self and the studio.

M2 Film and M2 Animation is a movie manufacturing firm primarily targeted on live-action and story-driven animation – largely 3D.

Alongside our major productions, we additionally do Movement Design tasks at a barely smaller scale, pushed by our design crew.

For this undertaking, Thomas Fiil labored as a Movement Designer, and Christoffer Kramme as a 2D Animator.

Fill us in in your Movement Design background and what led you into the trade.


I all the time needed to be an animator, however my drawing abilities sucked, so I gravitated in the direction of Movement Design as an alternative.

I spent 5 years at Silly Studio and have now been at M2 Movie for ten. I’ve labored on numerous tasks – largely commercials and expertise design tasks – as a movement designer/artistic/director.


I’ve all the time liked drawing. After I was in fourth grade, we needed to do a small undertaking about what we needed our future schooling to be; I requested my mother what I may do to make a dwelling off drawing. She discovered The Animation Workshop in Viborg, not removed from the place we lived, and since then, I labored in the direction of turning into an animator.

I graduated from TAW in 2015 and labored full-time and as a freelancer for various firms till I grew to become a part of M2.

Inform us in regards to the crew behind your undertaking.

In comparison with many different animation tasks at M2, we took this undertaking on a comparatively small crew.

Thomas was the lead movement designer, and Christoffer was the lead 2D Animator – forming a lethal artistic cocktail with director Rasmus Pilgaard, producer Emil Nikolajew, and producer-assistant Cæcilie Fournais. Anna Elisabeth Christensen assisted Christoffer with the 2D animation.

  How would you introduce your undertaking to somebody expecting the primary time?

It’s a movie exhibiting how cool the Danish girls on the nationwide soccer crew are by way of the lens of their new pop art-inspired jersey equipment.

It combines classical 2D character animation with movement design and a little bit of dwell motion of the gamers.


What was the unique temporary?


Rasmus Pilgaard, the director, was approached by Hummel to assist reveal the brand new equipment for the Danish girls’s nationwide soccer crew.

The essential concept was to painting the gamers as superheroes to encourage younger ladies to turn out to be followers of not solely the crew but in addition soccer itself.

As soon as we noticed the brand new pop-art/previous comics-inspired design for the equipment, we instantly felt the necessity to take it past “simply one other 2D animation”.

Take us by way of your course of. How lengthy did it take? What methods did you employ? What packages are you utilizing?


We began with some brainstorming and rapidly selected the easy concept of a soccer coaching session transitioning into an precise recreation.

Pilgaard and Fiil wrote down the motion script, and I did a fast storyboard/animatic. Alongside creating the story, I dialed within the character design. We needed to remain as true to how the ladies regarded in actuality – each out of respect for them but in addition to ensure they had been simply recognizable.

After ensuring the consumer was pleased with the course, I began animation, and we introduced on Anna Elisabeth Christensen to assist with all of the finer particulars of the equipment. Animation took a few months, and as photographs began to be accomplished, Thomas Fiil started engaged on bringing the pop artwork look and the icon cut up panels within the equipment design.

The animation was carried out very historically. We used TV Paint for all of the character animation and took inspiration from Japanese animation to get some cool and excessive digital camera angles to emphasise the motion.

The design remedy/movement was carried out in After Results.


What was your favourite second or most enjoyable a part of the undertaking?



What I’m most pleased with about this undertaking is that it was impressed by the equipment design and the gamers. It kind of simply grew from that in a really natural and clean course of.

We by no means bought to the purpose the place we began doubting what we had been doing and simply liked engaged on each step–which isn’t all the time the case.

Did you could have another concepts you appreciated that you just didn’t go together with? What had been they, and why did you flip away from them?



We performed round with the concept of utilizing the completely different sections of the shirt extra like home windows/portals on the sector. In the long run, we couldn’t fairly make it match the storytelling, and the concept light away.

We additionally explored extra inventive proportions within the character design, however it rapidly grew to become unflattering and didn’t signify the respect we have now for the gamers.

How did you discover the pitch course of?



We did some early explorations when it comes to character design, type of animation and remedy.

Along with an outline of the general concept of translating the equipment design right into a Movement Design movie, we bought the go-ahead instantly.

Director Ramus Pilgaard has a long-standing strong relationship with Hummel and has beforehand carried out superb work for them.

So, their belief in him as a director and soccer lover Emil’s producer expertise rubbed off on the remainder of us and allowed us to stand up and working.

 Did you face any difficulties alongside the way in which? If that’s the case, how did you overcome them?



Alongside this undertaking, we had been doing one other advert for the lads’s crew’s new equipment as nicely.

The plan was to do a live-action movie with footage from the European Championship in ’92, however UEFA ended up denying using the footage. So with just a few weeks left, we needed to rethink that entire movie and ended up doing one other sort-of-animated/painted movie which took away some assets and focus from the ladies’s movie.

So moreover doing this undertaking, we additionally accomplished the opposite one.

Do you could have something so as to add on the significance of ladies’s nationwide soccer?

For a very long time, males and males’s soccer has been seen as the usual and girls’s soccer instead or lesser model. The ladies taking part in are simply as a lot a nationwide crew as the lads, and there’s no motive to differentiate them by having a ‘nationwide crew’ and a ‘girls’s nationwide crew’.

So, I feel it’s nice seeing the ladies’s groups and tournaments getting extra consideration – and never as a result of they’re girls however as a result of they’re cool.


In my spare time, I coach a ladies’ soccer crew, and dealing on a undertaking with the ladies’s soccer crew made me much more pleased with the ultimate consequence.

I’m not likely within the dialogue about variations between males’s and girls’s soccer, however while you have a look at the dedication and energy of the gamers on both crew – there isn’t a distinction.

How do you take care of artistic doubt on a undertaking?


It’s virtually inevitable and virtually all the time uncomfortable, however figuring out this helps me settle for that it seems, and I attempt to use it to search out methods of enhancing the undertaking.

I discover it useful to show to my colleagues, who can have a look at it with a set of recent eyes or search for different tasks that may encourage and assist me energy by way of the doubt.

It additionally helps to search out one factor a couple of undertaking that I feel is thrilling and that brings me pleasure. Then I can concentrate on that factor and use that as gasoline for the remainder of the undertaking.


I don’t. I blame all of the proficient movement designers on the market who’ve annoying habits of sharing their work on locations like Motionographer for my continual imposter syndrome.

I’m simply glad that I didn’t really feel doubt sneak in whereas engaged on this undertaking.

If you really feel caught or want inspiration, the place do you discover it?


I take advantage of Instagram rather a lot for visible inspiration. I like Japanese and French animation, and Catsuka or Sakugabooru is all the time an awesome supply of inspiration.


Nicely, moreover the plain, like Behance, Motionographer, Artwork of the title and so forth – I feel it’s tremendous vital to search out inspiration prematurely.

Like fueling up on artistic power at locations like OFFF and F5, going to the flicks and artwork exhibitions, studying comics and so forth. All of it germinates within the unconscious, so when you find yourself approached with a possible job, you might be prepared to fireplace.

Do you could have any recommendation for creatives on methods to pursue their dream tasks?



That is going to sound cheesy, however discover a craft that comes naturally to you and that you just discover pleasure in.

Work with individuals you respect and join your particular person artistic method along with theirs.

If this can be a shitty recommendation, then fuck it; we’re all going to be worn out by AI anyway.


Cash no object, what would you like to work on most?


Major titles for a characteristic movie – hit me!


Spider-verse 3.

 What had been some ground-breaking moments in Movement Design which have formed the way in which you assume?


Into the Spiderverse undoubtedly broke down a number of partitions and opened up for combining all kinds of animation- and graphical mediums.


For me, my encounter with Danny Yount’s important titles to the primary Iron-man bought me really turned on to Movement Design.

After that, I feel a number of the work from Patrick Clair additionally performed an enormous half in my rising fascination of the craft. And, after all, encountering the extraterrestrial superhuman Gmunk at numerous design occasions additionally impacts me – however I’m nonetheless not fairly certain how.

What’s subsequent for you and your crew?

Beers and animation.