Behind the Scenes: Nel from Bleach


Good day everybody, I’m Aditya from PerryBerry. I’m a 19-year-old scholar from India. I work along with my brother Tanishq at our self-started studio PERRYBERRY as a 3D generalist and movement designer. Nonetheless, I labored solo on this venture, and Tanishq did some work on the lighting and post-work.

I began studying Blender from scratch through the 2020 pandemic and located my ardour in 3D. My brother and I are working collectively in hopes to realize higher heights on this discipline.


I used to be impressed to recreate Disney-like hair on one of many cutest characters from the anime Bleach with out altering the character an excessive amount of.


This was not purported to be a severe venture, so it began out as a tough sculpt in Zbrush however then it took my curiosity as I progressed.

STEP 1 : Block-out

I roughly sculpted the face and posed it in Zbrush to get a transparent concept, after which exported it to Blender (I forgot to take screenshots firstly).

STEP 2 : Engaged on Hair

I began by blocking out the blob-looking hair with curves in Blender to get a greater concept of how it will look. I used to be fairly glad with this hair and virtually made it the ultimate model, however then I made a decision to problem myself and go for the Disney-style hair.

I UV-mapped the hair curves and used an alpha texture to create gaps on the hair root.

Then, I used three layers of the identical hair object scaled with three totally different densities of hair texture.

Under is the primary fill texture, which was used in order that you do not see her bald head.

The second layer with alpha was used to make it appear to be actual strands, including realism.

This was for the break up ends or the messy hair that at all times stands out, which labored out nice for my purpose.

Right here is the ultimate results of Nel’s hair .

STEP 3 : Facial Textures

Since I dislike UV unwrapping for private initiatives, I made 2-3 UV maps for the face and painted masks to make use of later as blush, face paint, and scars.

STEP 4 : Posing and Particulars

After ending the hair, I made some main design adjustments and chosen a pose for the character. I sculpted the clothes, rigged the character, added some wonderful hair to the gown, and made her pet sit by her facet (which was additionally rigged).

STEP 5 : Lights, Digital camera, Motion!

For my part, a very powerful half is nice lighting and angles, which may even make the default dice look cool. There are infinite methods to mild your scenes that do not contain essentially the most primary lighting humanity has ever seen.

Use your favourite mild setup and experiment with other ways of lighting the identical scene. Listed here are a few of my experiments with the ultimate end result.

FINAL STEP : Put up-Processing

The second most essential half, when your work is almost prepared, is post-processing. The above photographs look uncooked, so remember to do some post-processing in your favourite software program. I take advantage of After Results as a result of I’m snug with it.

RENDER – Nel from Bleach

Thanks for studying. Be happy to ask any questions, and in the event you like my work, observe me on social media. Have a superb day!

Concerning the Artist

Aditya & Tanishq singh a.ok.a PerryBerry,
are two 3D generalists and movement designers from India. At the moment they’re working as freelancers.